2009. február 19., csütörtök

Lowas Péter



Lowas Péter: "Önreflexiós segédeszköz", 2008

Első multiplika show, Liget Galéria, 2008 (http://multiplika2000.wordpress.com/2009/02/)

forrás / source: http://www.photoblog.com/dromidriver/2008/12/20/sat.html

2009. február 11., szerda

Ivan Ladislav Galeta


„Croatian filmmaker Ivan Ladislav Galeta is a key figure within structural film. Experimental in the truest sense of the word, his works are months, often years in the planning, all possibilities considered as he explores the medium and its capabilities. Such is his precision that the end results often resemble documentary more than they do the avant-garde; titles and intertitles (even these being exact in terms of font and framing) displaying all possible information, from the nature of the film stock used to the methods undertaken and the times of production. Dry and conceptual, then, but Galetas ultra-awareness of cinema and its processes yields continually intriguing results: TV Ping Pong (the earliest work present) manipulates conventional editing syntax; Two Times in One Space investigates screen space via simple superimpositions.(...)
(Anthony Nield in DVD Times , 21.08.2008 )
More info: http://www.index-dvd.at/php/de/review...

2009. február 2., hétfő

Mark Wallinger

MARK WALLINGER CURATES: THE RUSSIAN LINESMAN, Frontiers, Borders and Thresholds, 18 February - 4 May 2009, A Hayward Touring Exhibition, Southbank Centre, London, http://www.southbankcentre.co.uk/visual-arts

bővebben róla itt: http://www.e-flux.com/shows/view/6359
Mark Wallinger: Time and Relative Dimensions in Space, 2001
installáció a whitechapel galériában, 2001

erről:

„Time and Relative Dimensions in Space (2001) is a mirrored version of the 'Tardis' which featured in the British TV series Dr Who. A 'police box' on the outside, once typical of London streets, the Tardis not only travelled through time and space but its internal dimension dramatically exceeded its exterior. Wallinger's version in polished stainless steel contains four firmly closed doors and offers only a conceptual excursion. The extra dimension is extended through the mirror's surface and into its artificial space, while the object seeks to shrug off its physicality by replicating its surroundings.” forrás: http://www.whitechapel.org/content.php?page_id=3789

még:

The Word in the Desert II., 2000, framed colour photograph, 190 x 154 cm
Satire Sat Here, 1986, oil on canvas, 213.4 x 305 cm
forrás: Anthony Reynolds Gallery, London, http://www.anthonyreynolds.com/home.htm