Ana Mendieta, Joan Jonas, Chantal Akerman, Francesca Woodman, Lili Dujourie

„Ana Mendieta’s moving photographs of her naked body flattened by a pane of glass (as “live photographs”) and the “remnant photographs” of a Joan Jonas performance where women hold full length mirrors in front of their body and mirror the audience in them, are also provocative. There are poetic moments to be found in the work of Belgian Lilly Dujourie (photos) and her better known compatriot Chantal Ackerman (film). (Some of French Agnes Varda’s films could have perhaps been included)”. (coagula magazinban - 20070517)

Joan Jonas kép, jonas a frieze-ben, az artpool-on (itt tükrös darabjairól Beke Lászlóval beszélget)

Chantal Akerman, Mirror Still, 1971-2007, Mirror, 16 mm transfered to DVD
14´ 21². Courtesy Marian Goodman Gallery, Paris.
Chantal Akerman filmjeiről bővebben: „The Innovators 1970-1980: Keeping a distance”
MEXICO CITY.- Museo Tamayo Arte Contemporáneo presents Elipsis: Chantal Akerman, Lili Dujourie, Francesca Woodman, on view October 4, January 6, 2008. The exhibit will present together works by Chantal Akerman (Brussels, 1950), Lili Dujourie (Lovendegem, 1941) and Francesca Woodman (Denver, 1958 – New York, 1981), for the first time. During the 1970’s the artists did performance art in front of a camera. The artist’s proposals refer to the alienated relationship of woman in the world. Their worries relate to the construction and representation of the identity.

Francesca Woodman, Self-deceit #1, Rome, 1977-1978. Gelatin silver estate print 25.4 x 20.3 cms, 10 x 8 inches. Courtesy George and Betty Woodman and Victoria Miro, London ("A nude woman on all fours turns a corner and looks at herself in a mirror in the middle of the frame.")
másik kép 75-76, cím nélkül, tükrön térdelő nő "She kneels on a heavily framed mirror placed flat on the floor. Her head and upper body are in motion...."

Lili Dujourie: Spiegel, 1976, Video, black and white, silent, Duration: 7'27"