Cao Fei

Cao Fei: I. Mirror: A Second Life City, 2007, video-installáció

Cao Fei tükrös installációja a China Power Station: Part III, című csoportos kiállításon a Mudam Luxembourgban 2008 április 26-tól szeptember 15-ig látható.

Ehhez China Tracy iMirror Part 1, iMirror Part 2, iMirror Part 3

ki china tracy?

Camille Laurelli

Camille Laurelli: sans titre (reflexion), 2004 (collection privée)

és: "sans titre" (manifestation) – 2007 (1 min)
(fiú arca előtt tükör tart, abban egy másik arc)

Ferhan Kiziltepe

Ferhan Kiziltepe, matematikus, képzőművész

Pécs, ars geometrica workshop (2008.06.15.)

Zhang Wang

Zhang Wang az Asian Art Museumban, róla: http://baartquake.blogspot.com/2008/02/zhan-wang-all-over-sf.html

kép: Flowers in the Mirror, Beijing Series #9, 2004, C-print, 23.62 x 31.5 inches, kiállítva a Haines Gallery-ben, San Francisco, 2008 0214-0322

(utalás: Josiah McElheny)

Laurent Grasso

Laurent Grasso (1972-)

“Projet 4 Brane”,2007, tôle perforée, verre fumé, peinture laquée noire, mate, moquette

420 x 280 x 250 cm, ex Pièce unique, 2007/2880

Laurent Grasso: Neurocinema 14th of june - 22 of september 2008
Musée départemental d'art contemporain de Rochechouart, F

Oscar Muñoz

Oscar Muñoz (1951)

kiállítása: Mirror Image 13 June - 27 July 2008, Iniva (Institute of International Visual Arts), London
kolumbiai művész, központi témája az emlékezet és az idő.
Linea del Destino, 2006
Courtesy of Sicardi Gallery, Houston plus speedmuseum 2007
Muñoz says: My work insists […] in documenting an immemorial scenario: the ‘logic of everyday thinking’ that stems from the impossibility of retaining and fixing images permanently.
...My work today arises from my interest in understanding how a society comes to accept war – or rather, a dark and corrupted succession of wars over more than 50 years and which have not yet ended - as part of the routine of living, where both the past and the present are plagued with daily violent events which are persistently repeated.

plus: „In Aliento (1996-2002), mirrored discs are mounted on a wall. The glossy surface invites the viewer to look deeper. Breathing on the glass reveals faces – from photographs in Colombian newspapers - which disappear as the mist diminishes.”

Ana Mendieta, Joan Jonas, Chantal Akerman, Francesca Woodman, Lili Dujourie

„Ana Mendieta’s moving photographs of her naked body flattened by a pane of glass (as “live photographs”) and the “remnant photographs” of a Joan Jonas performance where women hold full length mirrors in front of their body and mirror the audience in them, are also provocative. There are poetic moments to be found in the work of Belgian Lilly Dujourie (photos) and her better known compatriot Chantal Ackerman (film). (Some of French Agnes Varda’s films could have perhaps been included)”. (coagula magazinban - 20070517)

Joan Jonas kép, jonas a frieze-ben, az artpool-on (itt tükrös darabjairól Beke Lászlóval beszélget)

Chantal Akerman, Mirror Still, 1971-2007, Mirror, 16 mm transfered to DVD
14´ 21². Courtesy Marian Goodman Gallery, Paris.
Chantal Akerman filmjeiről bővebben: „The Innovators 1970-1980: Keeping a distance”
MEXICO CITY.- Museo Tamayo Arte Contemporáneo presents Elipsis: Chantal Akerman, Lili Dujourie, Francesca Woodman, on view October 4, January 6, 2008. The exhibit will present together works by Chantal Akerman (Brussels, 1950), Lili Dujourie (Lovendegem, 1941) and Francesca Woodman (Denver, 1958 – New York, 1981), for the first time. During the 1970’s the artists did performance art in front of a camera. The artist’s proposals refer to the alienated relationship of woman in the world. Their worries relate to the construction and representation of the identity.

Francesca Woodman, Self-deceit #1, Rome, 1977-1978. Gelatin silver estate print 25.4 x 20.3 cms, 10 x 8 inches. Courtesy George and Betty Woodman and Victoria Miro, London ("A nude woman on all fours turns a corner and looks at herself in a mirror in the middle of the frame.")
másik kép 75-76, cím nélkül, tükrön térdelő nő "She kneels on a heavily framed mirror placed flat on the floor. Her head and upper body are in motion...."

Lili Dujourie: Spiegel, 1976, Video, black and white, silent, Duration: 7'27"