Timur Siqin

Timur Siqin: 300, 2009
http://timursiqin.com/300/300.html (video)

http://timursiqin.com/
via vvork

Rafaël Rozendaal

»really really big«, 2009 by Rafaël Rozendaal
http://www.newrafael.com/,
via vvork

Juan Muñoz

Juan Muñoz: One Figure (Una figura), 2000 Resina,pigmentos y espejo 110×60 x 50 cm Museo de Grenoble most itt: Juan Muñoz. Retrospective April 21 - August 31, 2009 Museo Nacional Centro de Arte Reina Sofia Madrid. Spain, http://www.museoreinasofia.es

"This exhibition, which the Museo Nacional Centro de Arte Reina Sofía dedicates to Juan Muñoz (Madrid, 1953 – Ibiza, 2001), is the most complete retrospective on the artist to date.
The exhibition has been enriched by works never exhibited until now and extends throughout several rooms in the Museum, as well as the Sabatini Gardens. His drawings, writings, sound works and radio segments are exhibited together with numerous sculptures. Juan Muñoz is an international point of reference in the renovation of contemporary sculpture. The sixteen years spanning from 1984, the date of his first solo exhibition, to 2001, when he created his last work, allowed him to develop an artistic corpus with an exceptional narrative quality.
Exhibition organized by the Tate Modern, London, in association with the Museo Nacional Centro de Arte Reina Sofía. Exhibition co-produced by Tate Modern and the Sociedad Estatal para la Acción Cultural Exterior –SEACEX. Exhibition sponsored by fundación Banco Santander Foundation" via e-flux

Dan Graham

My Turn: Dan Graham: Beyond
June 24 - October 11, 2009,
Whitney Museum of American Art, New York, http://whitney.org/index.php

Dan Graham photographing Two Adjacent Pavilions, 1978-82 two-way mirror, glass, and steel; two structures: 8 1/4 x 6 1/8 x 6 1/8 feet each collection Kröller-Müller Museum, Otterlo, The Netherlands

installed in Documenta VII next to the Fulda River, Kassel, Germany, 1982

Carsten Nicolai

Carsten Nicolai . poly stella, 2009, Kasumigaseki Building, Tokyo, Japan
http://www.carstennicolai.de/?c=works&w=poly_stella

Tom Burr

Tom Burr: Folding Screen, 2007, (Sperrholz, Spiegel aus Plexiglas, Profilholz, eloxiertes Metal Plywood, wood molding, plexi-mirror, black anodized hardware, three hinged Panels 180 x 180 x 6 cm), via http://www.vvork.com/

itt: Städtische Galerie im Lenbachhaus und Kunstbau München, http://www.lenbachhaus.de Monica Bonvicini / Tom Burr May 30 - August 16, 2009

és még itt: http://www.v22collection.com/v22presents/artists/tomburr.html (Tom Burr, Decapitation Sculpture 2009, plywood, glass mirror, steel pin, canvas in 2 parts, 146x152x152cm, 30x30x30cm), és itt: http://www.galerieneu.net/artists/show/id/2

Michel Huelin

»Exposition Abbatiale de Bellelay«, 2006 by Michel Huelin. (via vvvork)

Simona Denicolai és Ivo Provoost

“Mirrors with attitude”, 2008 by Simona Denicolai & Ivo Provoost. via vvork

Mark Geffriaud

“You would have seen it happen if you hadn’t been looking somewhere else”, 2006 by Mark Geffriaud. In collaboration with Cyrille Maillot. (via vvork)

kép forrása: gb agency, Párizs

Julieta Aranda

Julieta Aranda (1975): "Publick Occurrences, both Forreign and Domestick" (részlet), 2008,

Galerie Michael Janssen, Berlin

róla többet az artreview magazin 2009/03 (március) számában, 70. old

Komlovszky Szvet Tamás

Komlovszky Szvet Tamás: Fekete Lyuk, 2008, fa, tükör; elektromágnes, 180x40x40 cm, kép innen: műcsarnok, és saját honlapjáról

kiállítva ’pixelek’ c. csoportos kiállításon az ernst múzeumban, 2009. jan 18 - febr 08.

Black Hole from Szvet on Vimeo.

Nobuo Sekine

Nobuo Sekine (1942): „Phase of Nothingness” 1970

forrás: szvet: levitation/lebegés

Lowas Péter

Lowas Péter: "Önreflexiós segédeszköz", 2008

Első multiplika show, Liget Galéria, 2008 (http://multiplika2000.wordpress.com/2009/02/)

forrás / source: http://www.photoblog.com/dromidriver/2008/12/20/sat.html

Elmgreen és Dragset

»When a Country Falls in Love with Itself«, 2008 by Elmgreen & Dragset. via vvork

(elmgreen és dragset még itt: http://www.klosterfelde.de/sites/artists/elm-drag/ar_f.html, http://www.tate.org.uk/modern/exhibitions/untitled/elmgreenanddragset/, http://www.victoria-miro.com/artists/_32/)

Ivan Ladislav Galeta

„Croatian filmmaker Ivan Ladislav Galeta is a key figure within structural film. Experimental in the truest sense of the word, his works are months, often years in the planning, all possibilities considered as he explores the medium and its capabilities. Such is his precision that the end results often resemble documentary more than they do the avant-garde; titles and intertitles (even these being exact in terms of font and framing) displaying all possible information, from the nature of the film stock used to the methods undertaken and the times of production. Dry and conceptual, then, but Galetas ultra-awareness of cinema and its processes yields continually intriguing results: TV Ping Pong (the earliest work present) manipulates conventional editing syntax; Two Times in One Space investigates screen space via simple superimpositions.(...)
(Anthony Nield in DVD Times , 21.08.2008 )
More info: http://www.index-dvd.at/php/de/review...”

Mark Wallinger

MARK WALLINGER CURATES: THE RUSSIAN LINESMAN, Frontiers, Borders and Thresholds, 18 February - 4 May 2009, A Hayward Touring Exhibition, Southbank Centre, London, http://www.southbankcentre.co.uk/visual-arts

bővebben róla itt: http://www.e-flux.com/shows/view/6359
Mark Wallinger: Time and Relative Dimensions in Space, 2001
installáció a whitechapel galériában, 2001

erről:

„Time and Relative Dimensions in Space (2001) is a mirrored version of the 'Tardis' which featured in the British TV series Dr Who. A 'police box' on the outside, once typical of London streets, the Tardis not only travelled through time and space but its internal dimension dramatically exceeded its exterior. Wallinger's version in polished stainless steel contains four firmly closed doors and offers only a conceptual excursion. The extra dimension is extended through the mirror's surface and into its artificial space, while the object seeks to shrug off its physicality by replicating its surroundings.” forrás: http://www.whitechapel.org/content.php?page_id=3789

még:

The Word in the Desert II., 2000, framed colour photograph, 190 x 154 cm
Satire Sat Here, 1986, oil on canvas, 213.4 x 305 cm
forrás: Anthony Reynolds Gallery, London, http://www.anthonyreynolds.com/home.htm

Pascual Sisto

Pascual Sisto:
Push / Pull (my luck is your misfortune), 2006
Two Channel video installation,
http://www.pascualsisto.com/pushpull.mov
leírással: http://www.pascualsisto.com/index.php?/projects/push--pull-my-luck-is-your-misfortune/

Dora Garcia

Dora Garcia »Fahrenheit 451«, (2004)

http://www.doragarcia.net/

SHOWstudio

http://www.showstudio.com/ interaktív kaleidoszkópjai itt: http://www.showstudio.com/project/christmastide/

koncept: Nick Knight and Danny Brown

(Peter Jensen, Emilio De La Morena)

Corey McCorkle

Corey McCorkle: An Arrangement (Phalanx), 2007

COREY McCORKLE kiállítása a Maccarone-ban, (New York, http://www.maccarone.net/)
”When a Dog Barks The Response in the Ear of the Sky is a Star”, April 14th - May 12th, 2007.

„On the periphery of metropolitan Istanbul is a dilapidated zoo located within in otherwise pastoral municipal park. Started in the 1980's this project, similar to many other public commissions on the edge of the city, remains incomplete, abandoned. Much of the architecture in the outlying areas of Istanbul is similar, empty cast-concrete shells thrown up in the anticipation of an urban sprawl yet to come. Driving along the highways, one sees these structures, many of which will never be occupied by their intended tenants. They currently function only as monuments to a sort of tragic optimism, a lost cause of expansion, an emblem of coaxed development into suburbia.

Empty zoo shells sometimes house transients, but the string of pavilions and plains of the park are, for the most part, under the exclusive rule of feral dogs. Designed for the domestication and exhibition of the wild and exotic, a holdover from a romantic 19th century idea of naturalism, if not tourism, these abbreviated showcase environments have been overtaken by animals once domesticated, now wild and subsequently territorial: Corey McCorkle's project at maccarone lies where this former ideal meets our current century's urban entropy, which operates on a course from construction to neglect to metamorphosis. It begins at the point the zoo meets its political end - the decommission.

McCorkle's photographic and sculptural installations document these new ruins of urban planning beside the implosion of both nature and culture's milieu, not swaying far from the artist's past investigations of anomalous forgotten space and the dysfunctions therein. A video work similarly captures how the zoo pavilions, intended for entertainment and consumption, have collapsed from supposed civil program to architectural folly for the wild, liberated, and sometimes hostile.

If the cage is no longer a veil of tactful decorum, McCorkle's use of the kilim shifts the documentary to the decorative. As a great mediator between domestic comfort and civic assembly, the material is an emblem of Istanbul's history, garlanded with emporium and its longstanding reputation as an "East/West" depot. A mirrored hallway echoes the absurdity of attempting to contain an infinite nature, collapsing transitional and terminal space.

McCorkle's recently solo exhibitions include Kunsthalle Bern, Switzerland; MC, Los Angeles; Objectif, Antwerp. The artist's work is concurrently on view The Kitchen, NY and Stella Louhaus, Antwerp. A film commission regarding Le Corbusier's Tower of Shadows will be screened in May at The Office of Contemporary Art, Oslo, Norway and New York.”

Ilia Ovechkin

Ilia Ovechkin (1986) »displacement«, 2008

http://www.iliaovechkin.com/

Reena Spaulings

Reena Spaulings
“Untitled (small flag 6)”,
2005

forrás:
http://www.reenaspaulings.com/reenaother.htm

KCUF,
2008.
MD72,
Berlin.

RS fiktív életrajza itt:
http://www.suttonlane.com/artist.php?a=rs&p=bio

David Renggli

David Renggli (1974): Waldspiegel, 2003, c-print, 65x80 cm, és Brotkreis, 2003, c-print, 65x80 cm

ebben a dokumentumban: http://www.ausstellungsraum25.ch/uploads/media/renggli_photo_screen.pdf

Crystal City Mind

Flip Sellin, Tilman Thürmer, Marius Bell: Crystal City Mind, 2008

„Crystal City Mind is a multi-faceted design object made from high polished high grade steel and matte black surfaces. During the course of this summer Coordination and diephotodesigner.de toured the Berlin inner city with the sizable object, capturing impressions along the former Berlin wall. The images developed thereby show how rapidly Berlin has evolved in the last 20 years, as living old and new congregate.”

róla itt: http://www.coordination-berlin.de/e/design.html#*

fotók: Ken Schluchtmann, Dirk Dähmlow, (Berlin), www.diephotodesigner.de

Alyson Shotz

Alyson Shotz: Mirror Fence,
2003,
acrylic, wood, aluminum, hardware,
138' x 36 x 4"
Installation and commission
for Socrates Sculpture Park

Two Viewing Scopes for Rockefeller Center,
2006,
stainless steel tubes, glass and plastic lenses, wood,
66 x 48 x 48 inches (including base)

forrás: Derek Eller Gallery, New York, http://www.derekeller.com/alysonshotz_work.html

Olafur Eliasson

Olafur Eliasson: Mirror door (visitor), 2008

forrás: http://olafureliasson.net/selected_works/sw_29.html

Mirror door (spectator), 2008; Mirror door (user), 2008; and
Mirror door (visitor), 2008
kiállítva itt: The Museum of Modern Art, New York, NY, 2008

Nam June Paik

Nam June Paik: TV Buddha, 1974

„Paik's possibly most famous video work was produced as a gap-filler for an empty wall in his fourth show in the Galeria Bonino, New York. Shortly before the opening, he hit upon the idea of making a TV viewer out of an antique Buddha statue once purchased as an investment. The subsequent addition of a video camera meant the Buddha now watched his videotaped image on the screen opposite – past and present gaze upon each other in an encounter between Oriental deity and Western media.
During the 'Projekt '74' exhibition in Cologne, Paik took the Buddha’s place in his recent creation, suggesting the implicit antithesis between transcendentalism and technology was equally present in his own personality.” forrás: http://www.medienkunstnetz.de/works/tv-buddha/images/2/

Körner Union

---- Körner Union: »souvenir de chine«, 2008 (utube)

---- Autoportrait nu, 2008, 3 photographic prints, brown tinted oak frames, 92x118 cm each.

Körner Uniont 1999-ben alapította Sami Benhadj, Tarik Hayward and Guy Meldem, Lausanne-ban. http://koernerunion.com/

Duncan Speakman

Duncan Speakman “Dreaming of Spitzbergen” (when i am in spain i dream of spitzbergen), 2006, installáció, Brewhouse Theatre + Arts Centre

http://duncanspeakman.net

”A new installation created in collaboration with Sean Borodale and Volkhart Muller as part of our Hothouse residency at the Brewhouse Theatre and Arts Centre.
Two blocks of ice hung from hooks slowly melt into buckets resting on mirrors, the sound of dropping water amplified in the space through contact mics. This exhibition is open until January, see the Brewhouse site for more info.” forrás: http://duncanspeakman.net/?cat=35, itt róla video.

Erwin Wurm

Erwin Wurm, Hypnosis, 2008, Edition of 15, Aluminium, 18kg, 78 x 89 x 40 cm, itt: Galerie Thaddaeus Ropac, Salzburg) January 26-March 8, 2008

„Hypnosis was developed exclusively for Galerie Thaddaeus Ropac, and 15 copies of it will appear. The exhibition will take place in the Department of Editions at the Salzburg gallery. Hypnosis is a sculpture cast in aluminium, the body of which resembles a potato. That potato-shaped body is given a high polish, whereas the legs are matte-finished. The artist regards Hypnosis as a type of thought balloon, but also as a result of his rather long preoccupation with archetypes or various mental conditions, especially hypnosis. In addition to the edition, a number of new works will be shown in the main building of the gallery.

For more than 25 years, Wurm has been dealing with the notion of sculpture and the possibilities of expanding it. Especially his One minute sculptures made him known worldwide. Here, the artist tells people what to do-e. g. stick their head into a refrigerator-and takes pictures of them. In doing so, Wurm shows that a sculpture might exist only for a few minutes and that everything can become a one, even the visitors to an exhibition who follow his instructions. Hence, Erwin Wurm's art blurs the borders between sculpture, performance, and action.

Erwin Wurm was born in 1954 in Bruck/Mur and has livied in Vienna for many years. His works are represented in international collections, such asFonds Régional d'Art Contemporain, Galleria d'Arte Moderna Bologna, Walker Art Center, MUMOK (Vienna), and Museum für Moderne Kunst Frankfurt. The first large Wurm retrospective took place at the Museum für Moderne Kunst in Vienna in 2007 and was also shown at other European museums. At the Deichtorhallen Hamburg, the Wurm retrospective contributed to an increase in visitors by twenty-five percent in 2007. Five hundred cultural experts and artists from Germany selected the top cultural highlights of the year 2007. The Erwin Wurm retrospective was rated second-best, even outperforming Documenta 12.” forrás: http://arttattler.com/commentaryerwinwurm.html